“I’ve Been Being Stalked for Years” - Death by 1000 Cuts (2020) - Film #189

Most of the movies we cover on Senseless Cinema are classics from the 1970s and 1980s that have stood the test of time. But there are more recent films that become, instantly, instant classics. Andrew Getty's The Evil Within (2017) comes to mind, as does the first segment of Glenn Danzig's Verotika (2020), a film so boldly abstract that the projector in a cinema is represented by a fan with a lamp behind it sitting on a shelf. Another of these classics is Sam Salerno's Death by 1000 Cuts (2020), a feature-length expansion of a well-received 2019 short film.

Some of your universe's critics, as always, misinterpret the considerable qualities of this film. Reviewer Herb Gallow writes, “The acting is brutal, even by microbudget standards, and the script makes little sense, to the point that it becomes harder and harder to care about what's happening the further this goes.” And reviewer Dako17 writes, “The acting and kill scenes are so poorly done I still just feel like I'm watching some friends make a sh*t movie.”

Read on to experience the wonders of the modern classic Death by 1000 Cuts...

"We Don't Need No Appointment" - Mansion of the Doomed (1976) - Film #188

Everyone loves prolific actor Michael Pataki, star of Dream No Evil (1970), Grave of the Vampire (1972), and Graduation Day (1981), among many other films. It is now time to dive into one of his few directorial efforts, Mansion of the Doomed (1976), produced by Charles Band with effects work by the legendary Stan(ley) Winston.

Some of your universe's critics are characteristically unkind to Mr. Pataki's directorial debut. For example, reviewer marcburrage writes, "This is trash, pure and simple." Reviewer insomniac_rod writes, "The movie wasn't just done correctly." And reviewer poolandrews writes, "My biggest problem with it is that it's all rather dull and forgettable, and a little bit slow."

Read on for the truth about Mansion of the Doomed...

"Evil Got to Be Fought with Evil" - House of the Living Dead (1974) - Film #187

Of all the films with "of the living dead" or "of the dead" in the title, nearly 100% involve the presence of zombies or similar living dead creatures. Therefore, we will now cover one of the most original films of this type, 1974's House of the Living Dead, a film that involves a house but no living dead. The staggering creativity of this film deserves to be heralded.

Some of your universe's critics do not appreciate creativity in film. For example, reviewer TheExpatriate700 writes, "House of the Living Dead disappoints in virtually every way, with absolutely no zombies to speak of, terrible pacing, and an absurd mixture of the supernatural and mad scientist genres." Reviewer dbborroughs writes, "Nothing compares to the endless inane dialog that just bores. Recommended only for insomniacs." And reviewer Chase_Witherspoon writes, "Worse than dull, it promises a great revelation, then fails to deliver."

You decide! Is it necessary for a "living dead" movie to have zombies, or some other form of the living dead? Read on...

“I’ll Show You How to Make Donuts” - The Child (1977) - Film #186

Won't someone please think of The Child (1977)? Robert Voskanian's pseudo-zombie film is one of several classics released between Night of the Living Dead (1968) and Dawn of the Dead (1978), a group that includes The Living Dead at Manchester Morgue (1974), Tombs of the Blind Dead (1972), The Grapes of Death (1978), and other explorations of zombie mythology. But among these classics, The Child stands high due to its thrilling climax and sense of mystery.

Not all of your universe's critics agree. For example, reviewer preppy-3 writes, "The story is thin and there is TONS of padding to make the film 85 minutes long. The acting is terrible across the board....Badly directed with some of the WORST editing I've ever seen in a motion picture." Reviewer mwold writes, "this is just crap-it's just soooo cheap, I think that's my major complaint." And reviewer thesparklingdemo20 writes, "This movie was seriously awful. The acting was the worst! It was worse than a student film."

Needless to say, these reviewers are obviously clinically insane. Please read on for a realistic appreciation of The Child...

"I Heard What You Said But Can You Say It in a Different Way?" - Runaway Nightmare (1982) - Film #184

I must point out the axiom that films intended by their filmmakers to be quirky "cult" movies generally do not rise to the level of high-quality films we discuss here on Senseless Cinema. Runaway Nightmare (1982) is a rare exception to that axiom, however. Although the filmmakers clearly aim for a whimsical, comedic, unusual effect, their work rises to a higher level than that of a mere "comedy." Runaway Nightmare is, in fact, an almost pure distillation of a nightmare captured on film.

Many of your universe's distinguished critics find the film to be either "bad" or "weird." For example, reviewer Michael_Elliott writes, "For my money this was one of the worst and most boring films I've ever seen. I mean, you've pretty much got nothing happening throughout the 93-minute running time. You keep watching the movie expecting something of interest to happen but it never does. The film continues to drag along and there's still nothing." Reviewer EyeAskance describes the film as a "thoroughly uncategorizable whatever-the-hell-it-is is far and away one of the most aberrant gonzo visions ever committed to celluloid." And reviewer Hey_Sweden writes, "Runaway Nightmare" is not going to be for people who prefer lots of action and explosions every few minutes. It's a very sedately paced and quirky little oddity."

Read on for a more objective view of this serious, shocking motion picture...

"You Don't Need Dinner in That Foggy City" - Warlock Moon (1973) - Film #184

It is time to consider another film in that classic category of works whose titles are questionably related to their content. In this case, 1973's Warlock Moon mentions neither warlocks nor moons, but it is a fine proto-slasher and precursor to The Texas Chain Saw Massacre (1974) (though it was released after Tobe Hooper's film).

Some of your universe's critics, as usual, choose to look down on Warlock Moon. For example, reviewer Gafke writes repetitively, "This film plods along for a very long time and keeps plodding on." Reviewer nogodnomasters writes dismissively, "Sorry, but this is not a cult classic or drive-in classic." And reviewer  arion1 writes tediously, "Sometimes it seems as though the actors themselves are deliberately moving slowly so as to use up time blocks."

For a more accurate description of the seminal film Warlock Moon, please read on...

“Like Capillaries Under a Microscope” - The Manipulator (1971) - Film #183

The great actor Mickey Rooney has graced a handful of horror films--including, of course, Silent Night, Deadly Night 5: The Toy Maker (1991); The Intruder (1975); and a 2012 movie called The Woods with which I'm unfamiliar that features Mr. Rooney, Franco Nero, Jon Polito, and Michael J. Pollard. One of his finest is The Manipulator (1971), an arthouse film about insanity and unrequited love.

Many, many of your universe's critics believe The Manipulator to be a poorly made film. For example, reviewer Ithseldy1 writes, "This movie is not only the most awful movie that I have ever seen, it makes no sense at all whatsoever!!" Reviewer very-tillotson-1 complains, "While trying to make sense of this horrible mess of a movie, I tried to understand why the once Hollywood legend, Mickey Rooney, had gotten mixed up in this atrocity?" And reviewer camcost writes, "Truthfully this film is totally hallucinogenic trash, perhaps one of the worst films I've ever watched."

Read on for details about Mickey Rooney in The Manipulator...

"Technology Doesn't Have Feelings" - Robowar (1988) - Film #182

It is probably redundant to claim that a film with Claudio Fragasso and/or Bruno Mattei in the credits is a masterpiece; those gentlemen are synonymous with the highest levels of filmmaking. Robowar (1988) is another example of their craftsmanship and their ability to take the barest hints of lesser films--in this case, The Terminator (1984), Predator (1987) and Robocop (also 1987)--and turn these ideas into far superior works of art.

Truthfully, I am getting exhausted by the failure of your universe's critics to recognize quality. Case in point: Reviewer err_42 writes, "This one is just a pain to watch....This movie is confounded by bad acting, lame dialogue, and from the looks of it, the script is only about 15 pages long!! It rarely makes any sense at any given time!...This film is rubbish!" Reviewer BandSAboutMovies writes, "On my deathbed, I will pull my family close and whisper, 'I only regret one thing. Robowar.'" And reviewer HaemovoreRex, who has the courage to admit to being a Bruno Mattei fan, writes, "Robowar is overall, a fairly bland affair. A real shame."

Not so! Please read on...

"I Could Use a Husky Man Like You out at My Poultry Ranch" - Blood Freak (1972) - Film #181

I assume everyone is aware of Brand Grinter and Steve Hawkes's Florida-set Blood Freak (1972), famous as perhaps the only anti-drug film in which a man turns into a turkey. No matter how great its fame, however, this film deserves an appreciation as a fine example of early 1970s regional horror.

Shockingly, some of your universe's critics are have "fowl" opinions of Blood Freak. For example, reviewer raymondnyc writes, "Bad acting is a staple of movies of this type, but when it's THIS bad it's just distracting." Review dfranzen70 writes (under the review title "Not So Bad It's Good," a title whose multiple negatives I must confess I cannot process), "The shoddy costume manages to distract the viewer from the purely amateurish acting and bottom-of-the-barrel script." And reviewer preppy-3 writes, "The script is terrible and (with the sole exception of Hawkes) all the acting is dreadful."

Clearly, these reviewers would benefit from the message of Blood Freak (i.e., drugs will turn you into a turkey-headed monster addicted to blood). Read on to see the true beauty and horror of Blood Freak...

Check Out My Novel -- The Nightmare Archive: A Secret History of Haunted Films

Just a note to let you know I have a novel available under my real (?) name. The novel is called The Nightmare Archive: A Secret History of Haunted Films. In the U.S., it's 99 cents to buy, and it's free to read on Kindle Unlimited. If it sounds interesting, check it out on Amazon. Thanks!

"The Most Traumatic Ordeal a Human Being Can Experience" - Night Killer (1990) - Film #180

Cinephiles frequently point to the work of Claudio Fragasso and Bruno Mattei when they discuss the high points of horror cinema in the 1980s and 1990s. Night Killer (1990) (aka Don't Open the Door 3) is an exemplary work by these two masters, a chilling portrait of psychological torture and experimentation handled with the taste, depth, and sophistication one would expect from Messrs. Fragasso and Mattei.

Oddly, some of your universe's critics view Night Killer negatively. For example, reviewer homecoming8 dismisses the film with the parting words, "For die hard fans of the genre only but don't get your hopes up because "Night Killer" has not much to offer." Reviewer BA_Harrison dismisses the film even further by declaring it "another godawful piece of low-rent horror garbage so bad that it has to be seen to be believed." And reviewer fanatic_movie_goer dismisses the film thusly: "It doesn't have any good characters, the directing is horrendous, the cutting is mushy, the score is bad..."

Of course, Night Killer is not to be dismissed so quickly. Please read on for a full appreciation...